Since bringing up the issue of song-destroying monotonous electro remixes, I have gone out and shown my support for the track by buying the old-arse not relevant original mix from that dang beatport.
Just before I did this, I found a presumably old remix competition which had the parts of the song freely downloadable (128k mp3)! Great!
The bonus is that now that I realise the original doesn't have much of an intro, I might be able to give it one with a bit of looping of some of those parts. And I keep the smug "I actually bought this" warm fuzzy feeling.
Slightly curious is that one of the parts is kick and it seems to be eight minutes of kick drum (with gaps for breaks of course). (The others are vocal, bass, drums and music.) I guess this is house music; the kick is pretty important right?
Cheers, Remix Mag and Gabriel & Dresden.
Thursday, July 26, 2007
Sunday, July 22, 2007
CORRECTION
On Energy Flash on Saturday, I mistakenly led Schraa to believe that Climbatize by The Prodigy dates back to the old-school, hardcore days. By way of an excuse, the Z in the title (along with perhaps my hankering for a Chris Lake remix of some true rave business?) may have been the only reason I ventured forth this information.
King Unique sacrifices "song" for relevant electro
I heard the King Unique remix of Gabriel & Dresden's "Tracking Treasure Down" on the weekend while helping out with our local house music radio show, Energy Flash on Radio 1.
My reaction was: the original was a great crossover clubby trance pop song, with a very pop/song structure, and King Unique succeeded in using the vocal over a much more constant/monotonous (i.e. the chord changes are not there) electro track.
Which is fine and all, obviously that's more relevant, and that's what I tend to be into a lot of the time, but for me it had the effect of making the vocal fairly irrelevant.
If you want to hear the King Unique remix, listen to the energyflash podcast. If you want to hear the original, get in a time machine and go back to last year and listen to Pete Tong's Essential Selection thru early/mid 2006.
My reaction was: the original was a great crossover clubby trance pop song, with a very pop/song structure, and King Unique succeeded in using the vocal over a much more constant/monotonous (i.e. the chord changes are not there) electro track.
Which is fine and all, obviously that's more relevant, and that's what I tend to be into a lot of the time, but for me it had the effect of making the vocal fairly irrelevant.
If you want to hear the King Unique remix, listen to the energyflash podcast. If you want to hear the original, get in a time machine and go back to last year and listen to Pete Tong's Essential Selection thru early/mid 2006.
Labels:
electro,
energyflash,
gabriel and dresden,
haszari,
house,
king unique,
music,
opinion,
pete tong,
pop,
radio1,
review,
schraa,
trance
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